The Sounds Australian Awards, first held in 1988, were established in order to honour and celebrate dedicated supporters of Australian Music. Initially, awards were given by composers to organisations, individuals, radio and television stations who had presented their music. Belinda Webster, now the force behind the Tall Poppies recording label, received the highest accolade at the inaugural Awards, winning the prize for the most distinguished contribution from all categories.
As a measure of their appreciation to the people who had worked so hard to make their music heard, the prizes for these early Composer Awards included works specially created by composers such as Richard Mills, Peter Sculthorpe, Carl Vine and Michael Smetanin.
In 1989, a second group of awards was introduced. In addition to the Composer Awards, Critics Awards were also presented to composers – in recognition of outstanding works premiered during the previous year. These Awards were judged by music critics from major papers in each state.
As well as highlighting the achievements of organisations and individuals in the new music scene, the Awards help raise the public awareness of new classical composition. By its second year the event was picked up by newspapers, radio, and television in each state, even making the front page of The Australian.
By the 90s the Awards were also attracting the attention of prominent political leaders. In 1997 and 1998 the event was hosted by Premiers Jeff Kennett and Bob Carr respectively, in private function rooms in Melbourne and Sydney. In 1990 Hazel Hawke attended the Awards as Sounds’ patron.
Due to funding cuts to the Australian Music Centre, no Awards were held from 1993 – 1995. In 1996 the Awards were resurrected under the leadership of the General Manager, John Davis, and restructured to reflect the diversity of activity in the new music scene. Since 2001, the Awards have been presented in collaboration with the Australasian Performing Right Association (APRA) and they are now called the APRA-Australian Music Centre Classical Music Awards. This has resulted in the addition of three new awards for works receiving extensive performance and broadcasting.
In an area of music not driven by fame or money, the recognition that these Awards give to practitioners of contemporary classical music is very important. Today, these Awards are still the only Awards specifically for the contemporary classical, or new, music scene in Australia.
In the words of the Premier of NSW, Bob Carr, “There can be no greater honour for members of the Classical music community - composers, performers, administrators or organisations - than to be nominated for, or win, one of these awards.”
Rhiannon Cook
|